PaulKeim.com |
Anything rootsy really attracts me. As for playing - Acoustic Guitar Instrumentals, Traditional Irish, Blues, New Orleans Second Line and Western Swing just so long as there is a nice big groove! My favourite thing is driving the bus, a.k.a rhythmically kicking a band in the bum and bringing everyone together in the aforementioned groove. Writing music is where it all comes together for me. Writing is a craft.
I try to write with some awareness of everything I've heard. My hope is
that what my writing and playing will cause listeners to feel, to inspire
imagery about a time, a place. As an engineer and as a producer I strive
to bring this same awareness to the recording studio. I am always working
on the pulse of a tune - be it a guitar motor that sits there chugging
along or a simple Weissenborn slide guitar part behind the vocals. Images,
whether musical or lyrical are important. Audiences connect to the groove,
the vocals, and the passion of the song. It rarely fails, when standing
around talking with even the most hardcore musicians, sooner or later
the conversation comes back to memorable songs.
The bottom line is I love music. I¹ve spent my lifetime playing, writing, recording and thinking about what makes music tick. It's amazing how much the road keeps opening up in front of me ... new stuff to learn, old stuff to revisit and reconnect with. I played the piano from age six until I was twelve. I got a guitar when I was about twelve and I noodled on and off until I was about eighteen. Then the fire was lit. Some of my earliest musical memories are of Howlin Wolf, The Ventures, Booker T and the MG¹s, Bach and the Rolling Stones. I remember the first time I bought music for myself, buying three albums all at once, Joni Mitchell's Blue, BB King¹s Back in the Alley and Hendrix¹s Electric Ladyland. Even when I was a "serious blues guy", I was sneaking off and buying Richard Thompson and Bothy Band records, along with Norman Blake, The Meters, Pachebel, Ry Cooder and Stanley Turrentine. It didn't matter to me as long as it was music that connected somehow. Along the way I¹ve been lucky enough to hear a lot of those folks
live, to open up for others like Albert King, Leo Kottke, Dr John, Jesse
Colin Young and to talk with them, to watch and to learn. I always kept
mental notes, went home and listened to the albums, noticed the differences
between the live and the recorded and realized it was the magic of the
songs that kept me coming back. It is that passion that I try to keep
alive for myself and for whomever I am supporting, be it with a guitar,
the studio, producing or arranging.
Browse around the site listen to some music clips or drop me a line!
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